The collection is a typeset of the excavators' finds but it is not comprehensive - for instance, it lacks metal pieces. However, it is easy to establish from Herzfeld's records (now housed in the Freer Sackler Gallery's archive) what metalwork was found in Samarra, which compensates for this lack. You can see from the bronze- and copper-headed nails, illustrated below, that they are not large pieces, but are decorative utilitarian objects used to secure the fixtures and fittings suitable for a caliphal palace. Each piece has been given a findspot number: for example, I-N 697 (second row, second from right) is recorded as being found in Square 26v in the Dar al-Khalifah, and described as being a "massive copper head of an iron nail, door hardware? Traces of gilding, pattern: twisted rosette" (translation taken from the Lubkins' incredibly useful document - see our entry on their visit here). The grid reference to 'Square 26v' refers us to the findspot on Herzfeld's gridded map, on the FSG Samarra resources site.
Click here to see this image on the FSG website |
FSA_A.6_04.22.071 |
Once familiar with these online resources, it is easy to navigate through the many illustrations and documents, and in recording the objects this facility has been useful for providing additional information. Around half the objects are still marked with their Herzfeld red inventory number (prefixed by I-N in the various publications). Herzfeld was a highly accomplished watercolourist (as we have seen in a previous post) and in addition to his sketches he reconstructed some of the wall painting fragments into complete murals. However, he did use a little artistic licence, so it is essential to double check every detail.
V&A A.54-1922, which you can see depicted in the bottom right hand corner of DIE MALEREIEN, pl. L
The resources on the Freer Sackler website help to problem-solve too. For example, among the ceramics there is a series of similar lid fragments, all now in different collections, some of which might fit together. Nothing published in Sarre's Die Keramik von Samarra resembles these, but in Herzfeld's own photographs, there is a group image - two with the same design and two of the same shape but seemingly with a different design. A fragment of one of these is now in the Metropolitan Museum of Art and can be seen on their website. (Interestingly, this lid fragment in the V&A is one of very few lustre pieces in the V&A Samarra typeset.)
V&A C.632-1922 |
Click here to see the image on the Freer Sackler website |
Matching the objects with the archival material is slow but rewarding work, and hopefully the reader will understand why this blog has been a little dormant. Next month our findings to date will be presented at the First International Conference on Islamic Archaeology in the East, to be held at the University of Cairo from 8th-12th December. News from Cairo to follow soon thereafter!
Rosalind Wade Haddon